Making Visible Watermarks More Effective
Whether you are a photographer, a marketing manager, or a regular Internet user, chances are you have encountered visible watermarks many times. Visible watermarks are those logos and patterns that are often overlaid on digital images provided by stock photography websites, marking the image owners while allowing viewers to perceive the underlying content so that they could license the images that fit their needs. It is the most common mechanism for protecting the copyrights of hundreds of millions of photographs and stock images that are offered online daily.
It’s standard practice to use watermarks on the assumption that they prevent consumers from accessing the clean images, ensuring there will be no unauthorized or unlicensed use. However, in “On The Effectiveness Of Visible Watermarks” recently presented at the 2017 Computer Vision and Pattern Recognition Conference (CVPR 2017), we show that a computer algorithm can get past this protection and remove watermarks automatically, giving users unobstructed access to the clean images the watermarks are intended to protect.
|Left: example watermarked images from popular stock photography websites. Right: watermark-free version of the images on the left, produced automatically by a computer algorithm. More results are available below and on our project page. Image sources: Adobe Stock, 123RF.|
As often done with vulnerabilities discovered in operating systems, applications or protocols, we want to disclose this vulnerability and propose solutions in order to help the photography and stock image communities adapt and better protect its copyrighted content and creations. From our experiments much of the world’s stock imagery is currently susceptible to this circumvention. As such, in our paper we also propose ways to make visible watermarks more robust to such manipulations.
The Vulnerability of Visible Watermarks
Visible watermarks are often designed to contain complex structures such as thin lines and shadows in order to make them harder to remove. Indeed, given a single image, for a computer to detect automatically which visual structures belong to the watermark and which structures belong to the underlying image is extremely difficult. Manually, the task of removing a watermark from an image is tedious, and even with state-of-the-art editing tools it may take a Photoshop expert several minutes to remove a watermark from one image.
However, a fact that has been overlooked so far is that watermarks are typically added in a consistent manner to many images. We show that this consistency can be used to invert the watermarking process — that is, estimate the watermark image and its opacity, and recover the original, watermark-free image underneath. This can all be done automatically, without any user intervention or prior information about the watermark, and by only observing watermarked image collections publicly available online.
|The consistency of a watermark over many images allows to automatically remove it in mass scale. Left: input collection marked by the same watermark, middle: computed watermark and its opacity, right: recovered, watermark-free images. Image sources: COCO dataset, Copyright logo.|
The first step of this process is identifying which image structures are repeating in the collection. If a similar watermark is embedded in many images, the watermark becomes the signal in the collection and the images become the noise, and simple image operations can be used to pull out a rough estimation of the watermark pattern.
|Watermark extraction with increasing number of images. Left: watermarked input images, Middle: median intensities over the input images (up to the input image shown), Right: the corresponding estimated (matted) watermark. All images licensed from 123RF.|
This provides a rough (noisy) estimate of the matted watermark (the watermark image times its spatially varying opacity, i.e., alpha matte). To actually recover the image underneath the watermark, we need to know the watermark’s decomposition into its image and alpha matte components. For this, a multi-image optimization problem can be formed, which we call “multi-image matting” (an extension of the traditional, single image matting problem), where the watermark (“foreground”) is separated into its image and opacity components while reconstructing a subset of clean (“background”) images. This optimization is able to produce very accurate estimations of the watermark components already from hundreds of images, and can deal with most watermarks used in practice, including ones containing thin structures, shadows or color gradients (as long as the watermarks are semi-transparent). Once the watermark pattern is recovered, it can be efficiently removed from any image marked by it.
Here are some more results, showing the estimated watermarks and example watermark-free results generated for several popular stock image services. We show many more results in our supplementary material on the project page.
|Left column: Watermark estimated automatically from watermarked images online (rendered on a gray background). Middle colum: Input watermarked image. Right column: Automatically removed watermark. Image sources: Adobe Stock, Can Stock Photo, 123RF, Fotolia.|
Making Watermarks More Effective
The vulnerability of current watermarking techniques lies in the consistency in watermarks across image collections. Therefore, to counter it, we need to introduce inconsistencies when embedding the watermark in each image. In our paper we looked at several types of inconsistencies and how they affect the techniques described above. We found for example that simply changing the watermark’s position randomly per image does not prevent removing the watermark, nor do small random changes in the watermark’s opacity. But we found that introducing random geometric perturbations to the watermark — warping it when embedding it in each image — improves its robustness. Interestingly, very subtle warping is already enough to generate watermarks that this technique cannot fully defeat.
|Flipping between the original watermark and a slightly, randomly warped watermark that can improve its robustness|
This warping produces a watermarked image that is very similar to the original (top right in the following figure), yet now if an attempt is made to remove it, it leaves very visible artifacts (bottom right):
In a nutshell, the reason this works is because removing the randomly-warped watermark from any single image requires to additionally estimate the warp field that was applied to the watermark for that image — a task that is inherently more difficult. Therefore, even if the watermark pattern can be estimated in the presence of these random perturbations (which by itself is nontrivial), accurately removing it without any visible artifact is far more challenging.
Here are some more results on the images from above when using subtle, randomly warped versions of the watermarks. Notice again how visible artifacts remain when trying to remove the watermark in this case, compared to the accurate reconstructions that are achievable with current, consistent watermarks. More results and a detailed analysis can be found in our paper and project page.
|Left column: Watermarked image, using subtle, random warping of the watermark. Right Column: Watermark removal result.|
This subtle random warping is only one type of randomization that can be introduced to make watermarks more effective. A nice feature of that solution is that it is simple to implement and already improves the robustness of the watermark to image-collection attacks while at the same time being mostly imperceptible. If more visible changes to the watermark across the images are acceptable — for example, introducing larger shifts in the watermark or incorporating other random elements in it — they may lead to an even better protection.
While we cannot guarantee that there will not be a way to break such randomized watermarking schemes in the future, we believe (and our experiments show) that randomization will make watermarked collection attacks fundamentally more difficult. We hope that these findings will be helpful for the photography and stock image communities.
The research described in this post was performed by Tali Dekel, Michael Rubinstein, Ce Liu and Bill Freeman. We thank Aaron Maschinot for narrating our video.